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Mondrian, a Dutch De Stijl artist and a Theosophist, used art to search empirical truths and their source. Symbols such as these highlight his awareness and use of visual images, forms and elements as signs. His use of the perspective diagrams to frame and contain the figure of his mother alludes to the impact the values and systems of European culture have had on the lives of Indigenous people. Bennett used this symbol because: What emerges for all who take part in this piece is in fact an examination of the self. These racist terms confront an Aboriginal figure represented as a jack-in-the-box, as he is violently jerked from the box that contains him. Das Jahr 1904 brachte mit dem Gordon-Bennett-Rennen in Deutschland und dem Vanderbilt Cup in den USA einen weiteren Aufschwung des Motorsports vor allem auch auerhalb Frankreichs, wobei fr das Rennen in New York erstmals europische Fahrer und Rennstlle nach bersee gereist waren. His bold and humane art challenged racial stereotypes and provoked critical reflection on Australia's official history and national identity. while Bennett may have attempted, in recent years, to disconnect from the politics of his earlier practice, there is also a sense within these paintings, of the impossibility of such a task. possession island Explore a range of ideas and media within your work. Looking at the image from different viewpoints helps us to discover different perspectives. Gordon Bennett: Selected Writings $45.00 Quantity Edited by Angela Goddard and Tim Riley Walsh A co-publication from Power Publications and Griffith University Art Museum Paperback with dust jacket RRP $45.00 AUD ISBN 978--909952-01-3 66 images, including colour plates 216 pp 297 x 210 mm 890 gms Bennett used perspective diagrams and visual symbols in Triptych: Requiem, Of grandeur, Empire . Oil and acrylic on canvas, 182 x 182 cm. Pollock becomes a catalyst for transformation. Gordon Bennett, &The manifest toe, pp. This painting combines the story of Bennetts mother, and other young Aboriginal women in the care of the government or church, with the Christian story. The artist Gordon Bennett led a reclusive life. 40 41. The first panel of Bennetts triptych, Requiem, depicts Trugannini (c. 1812 1876), a Palawa woman from Tasmania. The grand Romantic landscapes of Western art were intended to inspire the viewer with their dramatic beauty and effects of illusion. Possession Island No 2 is representative of Bennetts wider practice, which explores issues of post-colonisation and Aboriginal identity. How do the key themes/ideas and strategies in the book/film compare to those used by Gordon Bennett in early work such as. Self portrait (But I always wanted to be one of the good guys), 1990 questions how stereotypes create a sense of identity. What evidence can you see in this self-portrait of Bennett linking issues of personal identity with broader issues related to history and culture? What is your personal interpretation of the abstract paintings? The central figure is based on a monoprint made from the artists body. Like many others at that time, Bennett was inspired by the work of the historian Henry Reynolds. For many Aboriginal Australians, these celebrations were instead received as a period of mourning and a time to remember the devastating consequences of colonisation on Aboriginal people. What typically Australian qualities are associated with these characters? They became a potent symbol of the celebrations. Discover Gordon Bennett's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. He described his upbringing as overwhelmingly Euro-Australian, with never a word spoken about my Aboriginal heritage. Gordon Bennett rapidly established himself in the Australian art world. His sudden death came just one week after the opening of the 8th Berlin Biennale, where a series of Bennett's never-before exhibited drawings from the early 1990s are currently on view. GORDON BENNETT AND HIS RACES From the Book: Die Gordon Bennett Ballon Rennen (The Gordon Bennett Races)by Ulrich Hohmann Sr along with articles by others.Many of his contemporaries have considered Mister James Gordon Bennett to be a spleeny American. A long-distance hot-air balloon race (The International Gordon Bennett balloon race), which still continues, was inaugurated by him in 1906. John Citizen lets me take my Australian citizenship and cultural upbringing back from the netherworld of the imagined Other. Purchased with funds from the Foundation for the Historic Houses Trust, Museum of Sydney Appeal, 2007. The impact of colonisation on Aboriginal people and culture from this point was devastating. Bennett confronts and questions the appropriateness of this borrowing. . He used his self as the vehicle to do so. Van Goghs original bedroom evokes a feeling of peace and harmony. 1 0-5-30 j RED STAR Now 35 oft on all RED STARRED SIWFMIMUIS IliMMS . Find out more about binary opposites and identify some binary opposites that you believe have had a significant influence on your understanding of the world. Landing of Captain Cook at Botany Bay 1770 by E. Phillips Fox, for example, depicts Captain James Cook ceremoniously coming ashore at Botany Bay to claim the land for Britain. Gordon Bennett, born on 16 April 1887 at Balwyn, Melbourne, was Australia's most controversial Second World War commander. | Tate Images. Linear perspective is a system for organising visual information. In Interior (Abstract eye), 1991 a diagrammatic grid overlays an image depicting a group of Aboriginal people in the landscape, seemingly appropriated from a social studies text. Gordon Bennett, The manifest toe, pp. In a real sense I was still living in the suburbs, and in a world where there were very real demands to be one thing or the other. Explain how you believe Bennett communicates and presents questions and complexities in his work. The Constitution is being rethought with respect to Indigenous Australians, and treaty-making is on the agenda yet the Uluru Statement from the Heart was roundly ignored by the Federal Government. Discuss with reference to one or more works by Bennett. Aim to use a variety of strategies in your work to engage the viewer in the issues and questions you are interested in exploring in relation to these binary opposites. The imagery in this painting focuses on binary opposites, including the Aboriginal figure and various symbols of European and Indigenous art and culture . He used familiar and recognisable images that are part of an Australian consciousness to explore and question the meaning of these images. Eventually Bennetts mother earned an official exemption that allowed her to leave the Mission. In just three generations, that heritage has been lost to me. Image credit: Gordon Bennett - Possession Island (1991). I decided that I was in a very interesting position: My mind and body had been effectively colonised by Western culture, and yet my Aboriginality, which had been historically, socially and personally repressed, was still part of me and I was obtaining the tools and language to explore it on my own terms. After working in various trades in his early life, Bennett enrolled as a matureage student at Queensland College of Art in 1986 and graduated with a Bachelor of Arts (Fine Arts) degree in 1988. This emphasises the works formal qualities and discourages any narrative or symbolic reading of it. They communicated important Christian stories to the congregation. Strange to think of Gordon Bennett as an almost classical figure in contemporary Australian art. Sell with Artsy Artist Series Portraits of Artists and Sculptors 113 available Portraits of Artists and Sculptors ), National Gallery of Victoria, Melbourne 2007, p. 101, Gordon Bennett, Conversation Bill Wright talks to Gordon Bennett, p. 97, the visual qualities and symbolism of art elements such as colour and shape, the symbolism and representation of subject matter/content (including text), the appropriation of the work of other artists, the presentation of the artwork (ie. Gordon Bennett 2. Theyre buried, and this is a way of bringing them back into memory, but remembered in a different way from the way that I was taught, looking at them from a different angle and looking at how they work, where they came from initially, and how these images still support contemporary stereotypes, etc. This is similar to the way a Pointillist painting can only be seen effectively from a distance to bring the image into focus. One hand holds a torch a symbol of Enlightenment values that is also seen in The Statue of Liberty in New York that sheds light on darkness. Within the Home dcor series Gordon Bennett escalates the sampling and quoting of other artists and works to develop a pastiche. What strategies have been used to communicate and explore these themes and ideas in the book/film? Bennett was acutely aware that his own success paralleled the growing contemporary interest in Indigenous art and culture. Gordon Bennett Possession Island (Abstraction), 1991 Kevin Gilbert Christmas Eve in the Land of the Dispossessed, 1968; 1992 KEY ARTIST ONE- VERNON AH KEE Born 1967, Innisfail, Queensland. For example, Aboriginal deaths in custody was recognised as a significant issue. Gordon Bennetts art challenges us to question the stereotypes and racist labelling of Aboriginal Australians found in some history books written for and by Europeans. The representation of Aborigines has been reduced to caricature. What is your personal interpretation of the meaning and ideas in The coming of the light or Untitled ? In Altered body print (Shadow figure howling at the moon) Bennett focuses more explicitly on binary opposites and the associations they trigger. He found this liberating. May 20, 2022 - Explore Benny O's board "Artists" on Pinterest. James Gordon Bennett, Sr., a Scottish immigrant, founded the New York Herald in 1835, building the paper from the ground up. It was a way forward for me. Other aspects of the image, including the flat, stylised shapes of the head, reflect connections to both Western abstract art and Indigenous art traditions. In Bennetts painting the bedroom becomes the site of violent conflict that involves complex and intersecting personal and cultural histories. Based on your understanding of Bennetts motivations for the abstract paintings, outlined in the quote in the text, suggest what may have interested Bennett about the work of these artists. SOLD FEB 21, 2023. I decided that I would attempt to create a space by adopting a strategy of intervention and disturbance in the field of representation through my art. After 2003 he moved away from figurative language to work in an abstract idiom (see Number Nine 2008, Tate T15515). Gordon Bennett was born on 9 October, 1955 in Monto, Australia. This approach to his work resists any classification or confinement according to style. This artwork is constructed of obvious layers: The layers of dots, reminiscent of Aboriginal Western Desert dot painting, with lines of perspective a Western tradition. To the right of the canvas, Jackson Pollocks Blue Poles: Number 11, 1952 is clearly referenced. Bennetts use of dots highlights the way Aboriginal cultural identity continues to be defined and confined by Western ideas of Aboriginality. Gordon Bennett Australia 1955-2014. $927,000 Last Sold Price. It is appropriation of an image that has already been copied with an image that has become central in the pysche of an Australian history. JeanMichel Basquiat, crowned a black urban artist, was well known for his spontaneous and gestural paintings, which reflect the artists involvement in the graffiti culture of the United States. The artist has effectively communicated his beliefs on the suppression of Aboriginal culture by combining confronting imagery with the concepts of Vincent Van Gogh, Francisco Goya and Classical art. In Calverts etching, an Aboriginal man holds a drinks tray. An orphan from a very young age, she was raised on Cherbourg Aboriginal Mission in Queensland, and later trained as a domestic at Singleton. While these may indicate the way maps are constructed to find different locations, they also represent the first letter of racial slurs. Why might such an organisation purchase this painting? Felicity Allen, Gordon Bennett interviewed by Felicity Allen in the. The simplicity of I AM suggests a universality of thought. The resource provides frameworks for exploring key issues and ideas in Bennetts art practice. Image: Gordon Bennett, Australia 1955-2014, Possession Island, 1991. Other significant works: Gordon Bennett, Possession Island; Glenn Brown, The Day The World Turned Auerbach; Damien Hirst, The Physical Impossibility of Death in the Mind of the Living; Glenn Ligon, Notes on the Margin of the Black Book; Gabriel Orozco, Crazy Tourist; Cornelia Parker, Cold Dark Matter: An Exploded View These geometric forms also refer to the early 20th-century abstract artist Kazimir Malevich. In the following year he was awarded the prestigious Mot et Chandon prize with his painting The Nine Ricochets (Fall down black fella, jump up white fella), 1990. While Bennetts art is grounded in his personal struggle for identity as an Australian of Aboriginal and AngloCeltic descent, it presents and examines a broad range of philosophical questions related to the construction of identity, perception and knowledge. Who was Gordon Bennett? Traditionally these arches were built by the Romans to celebrate victory in war. She was one of the first Australian artists to recognise the spiritual significance of Aboriginal art and the land. The Notes to Basquiat series takes appropriation to yet another level within Bennetts art practice. Gordon Bennett uses self- portraits to question stereotypes and labelling. While some people may argue this has been a quick road to success, and that my work is authorised by my Aboriginality, I maintain that I dont have to be an Aborigine to do what I do, and that quick success is not an inherent attribute of an Aboriginal heritage, as history has shown, nor is it that unusual for college graduates who have something relevant to say. This central motif governs the composition which, similar to Calverts original etching upon which the painting is based, is largely reduced to a schema of black and white forms. What does this interpretation add to your understanding of the artwork? Like many of his own and earlier generations, Bennetts understanding of the nations history was partly shaped by the sort of images commonly found in history books. Gordon Bennett's "Outsider" is a highly emotive piece that conveys various ideas through appropriate symbolism. The timeline could be presented in hardcopy for display in the classroom, or as an ICT project incorporating images and audio. 22-24, Gordon Bennett, The manifest toe, in The Art of Gordon Bennett, p. 32, Gordon Bennett, The manifest toe in Ian McLean & Gordon Bennett, The Art of Gordon Bennett, Craftsman House, 1996, pp. Gordon Bennett, Possession Island, 1991, oil and synthetic polymer paint on canvas, Museum of Sydney, Sydney Living Museums; Daniel Boyd, We Call Them . But, in the late 1990s, some residents . Gordon Bennett 1, For an artist whose practice was concerned with how labels and systems define and confine knowledge and perception, labels and categorisations such as aboriginal artist, or urban aboriginal artist that were often applied to his work through exhibitions, books and other commentaries presented many practical as well as philosophical issues, I am very aware of the boundaries of critical containment within the parameters of Urban Aboriginal Art, and have so far worked within these boundaries to try and broaden, extend and subvert them. Samuel Calverts engraving, Captain Cook taking possession of the Australian continent on behalf of the British Crown AD 1770, became the starting point for Bennetts exploration. Bennett establishes him as the focal point. For example, at the time Gordon was born she still had to carry her official exemption certificate with her, and she lived in fear of her son being taken from her . Art about art seems appropriate for the time being. Bennetts grid formations seem to imprison the figures within the canvas. Discuss in relation to selected artworks by Bennett that you believe reveal questions and complexities, rather than answers and simplicities. It exposes the pain these stereotypes create. Gordon Bennett, Possession Island (1991)*. cat. His use of I AM emphasises this. Bennett has continued to work in new ways with materials, techniques and images throughout his career, resisting any classification or confinement according to style. The pale, marble- like sculpted heads on the bed remind us of the Classical art and learning that has been privileged in Western culture above other forms of art and learning, including those associated with Indigenous cultures. Experiment with enhancing or diminishing different layers to create a distinctive character. Queensland-born artist Gordon Bennett (1955-2014) was deeply engaged with questions of identity, perception and the construction of history, and made a profound and ongoing contribution to contemporary art in Australia and internationally. It confronts the bigotry and discrimination suffered by Aborigines, using a rich visual language based in both Aboriginal and Western traditions. I had never thought to question those narratives and I certainly had never been taught at school to question them only to believe them. He used strategies such as deconstruction and appropriation to present audiences with new ways of viewing and understanding the images and narratives that have shaped the nations history and culture. How do these systems/conventions reflect values and ideas important to that culture? Australian politics is fraught yet the Australian public is disengaged. His status as an artist has been elevated to hero with his contribution to Action Painting. However, he offers more than one interpretation of the grids use, which is indicated by the sampling of works by Australian artist Margaret Preston . 2 All that he had understood about himself and taken for granted as an Australian had ruptured. Bennetts art is not always easy to look at. The grotesque also interested Bennett as a means of disrupting conventional ways of seeing and understanding. The other was 'Number . Bennett adopted this alter ego to liberate himself from the preconceptions that were often associated with his Aboriginal heritage and his identity and reputation as the artist Gordon Bennett. Bennett as a cultural outsider of both his Aboriginal and AngloCeltic heritage does not assume a simplistic interpretation of identity. He has written of his approach to his work: Bennetts practice include painting, printmaking, drawing, video, performance, installation and sculpture, and challenges racial stereotypes and critically reflects on Australias history (official and unacknowledged) by addressing issues relating to the role of language and systems of thought in forging identity. are they representative of different cultural identities)? Discuss with reference to a selection of at least three works, clearly identifying stylistic shifts, and evidence of conceptual unity. The circular forms in the sky are inspired by the brilliant bursts of light in van Goghs Starry night. The grid, with its characteristic ordered mathematical structure, appears in a range of Bennetts artworks in a variety of forms. Once again, the arena of self- portraiture becomes a vehicle to take over and challenge stereotypes. Such imagery has often been used by artists to unsettle the viewer and present new perspectives on familiar subjects. . It demonstrates Bennetts understanding of the power of this image. Bennett repositions the subject of the painting in other ways too, by including black footprints that diminish into the background of the composition. What does Bennetts goal for his work suggest to you about how he views the role of art? L120238 Gordon Bennett. Gordon Bennett 3. Among these was the harrowing struggle for identity that ensued from the repression and denial of his Aboriginal heritage. 2, I cant remember exactly when it dawned on me that I had an Aboriginal heritage, I generally say it was around age eleven, but this was my age when my family returned to Queensland where Aboriginal people were far more visible. Purchased with funds from the Foundation for the Historic Houses Trust, Museum of Sydney Appeal, 2007 Gordon Bennett Number Nine, 2008 Acrylic paint on linen 71 9/10 119 7/10 in | 182.5 304 cm Museum of Contemporary Art Australia (MCA) The Rocks Get notifications for similar works Create Alert Want to sell a work by this artist? The distorted and exaggerated features of the form incorporate qualities that appear animal and human, male and female. The background colours and features of the landscape in each panel of Requiem, Of grandeur, Empire suggest a vast Australian desert . The mirror at the bottom left-hand corner of the painting represents Bennetts own shaving mirror. Looking closely at the central panel we realise that the luminous sky is described with the dots that Bennett used in early works to signify Aboriginal art. Victorious soldiers triumphantly and ceremoniously paraded under such arches, sometimes accompanied by their captives. Collect and find photographs of a wide variety of people of different ethnicities, cultures and physical appearances. Gordon Bennett 3, Bennett married in 1977. She attempted to create works that reflected a sense of national identity by incorporating Aboriginal motifs and colours in her work. Mixing of pure blood with European blood was feared by Europeans, authenticity was at risk and identity diluted. In Unassailable heroes (Sweet Damper) Famous since Captain Cook, 1996 the motifs and symbols suggest issues and questions related to history and representation that concern Bennett. Nearby Recently Sold Homes. The titles of Bennetts artworks reflect the artists awareness of the power of words/language to suggest meaning. Amidst the chaos and confusion of dots and slashes of colour he remains imprisoned by the grid, reduced to servitude. Gordon Bennett 6, I first learnt about Aborigines in primary school, as part of the social studies curriculum I learnt that Aborigines had dark brown skin, thin limbs, thick lips, black hair and dark brown eyes. It is interesting to note that this same year was declared a period of mourning by Aboriginal people. Possession Island 1991 Oil and synthetic polymer paint on canvas Two parts: 162 x 260cm (overall) The Estate of Gordon Bennett Purchased with funds. He tried a career as an actuarial clerk, attending Hawthorn College after Balwyn State School. Why? Bellas Gallery. Compare and contrast this artists use of appropriation with that of Gordon Bennett. In the Home dcorseries Bennett used gridded compositions that refer to the paintings of Dutch artistPiet Mondrian (1872 1944). Bennett attempts to destroy the stereotypes to question notions of identity. The 'cancel culture' debate winds me up. He acknowledged that much of his work was autobiographical, but he emphasises that there was conceptual distance involved in his art making . That was to be the extent of my formal education on Aborigines and Aboriginal culture until Art College. I did drawings of tools and weapons in my project book, just like all the other children, and like them I also wrote in my books that each Aboriginal family had their own hut, that men hunt kangaroos, possums and emus; that women collect seeds, eggs, fruit and yams. Bennett was interested in the way language and images construct identity and history, and the way this language controls and creates meaning. The title of the work itself is unsettling. John Citizen is an artist for our times: he reflects back to us citizens the white Australia of the postKeating era. In the Christian tradition light is associated with goodness and righteousness while darkness is associated with evil. Traditional ideas about an artists individual or signature style are further confounded in Bennetts art practice by the his appropriation or sampling of the distinctive styles of other artists, including Jackson Pollock (191256), Margaret Preston ( 18751963) and Piet Mondrian (18721944). exploration: Captain James Cook, Australia landing 1770, Calvert, Samuel, etching, Captain Cook Taking Possession of the Australian Continent on Behalf of the British Crown, AD 1770. Bennett's art engages with historical and contemporary questions of cultural and personal identity, with a specific focus on Australia's colonial past and its postcolonial present. The Whitlam Government abolished the last remnants of the White Australia policy, established diplomatic relations with China and advocated Aboriginal land rights, to name just a few of these changes. Gordon Bennett Possession Island (Abstraction) 1991 oil and acrylic on canvas 182 x 182cm Collection: Museum of Contemporary Art Australia and Tate, purchased jointly with funds provided by the Qantas Foundation, 2016 The Estate of Gordon Bennett He serves as a counterpoint to Gordon Bennetts Other, and yet we are the one and the same. Bennett compels the viewer to engage with and question the values and ideas of the artists he appropriated. There are many visual signs that recur throughout Bennetts artworks, including: Each of these signs brings significant meaning to Bennetts work and plays an important role in his investigation of issues and ideas related to identity, understanding and perception. There are a number of reasons why I began painting abstract paintings that focused on overt visual phenomena, as opposed to explicit visual content. He carefully staged each image in his studio, posing the sitter against a painted backdrop. As a shy and inarticulate teenager my response to these derogatory opinions was silence, self-loathing and denial of my heritage. This rich interplay of words and images raises many questions. Every object is carefully and clearly painted, yet the images conceptually blur together as they intersect and interlace through the grid, across the canvas. Acutely aware of the frame, I graduated as a straight honours student of fine art to find myself positioned and contained by the language of primitivism as an Urban Aboriginal Artist. He probed ideas about identity, fuelled partly by his own . Discuss with reference to a range of artworks by Bennett. In The coming of the light, 1987 the high- rise buildings that frame the white faces are represented as grid-like forms. The Other is clearly marked out as not only different but by necessity inferior. In Possession Island, 1991, Bennett meticulously photocopies and enlarges Calverts image so that it can be projected, cropped and copied onto the canvas. Black angels replace traditional white cherubs. There is strong symbolism associated with the placement of the figure beneath the Roman triumphal arch. The Spanish artist Francisco Goya (1746-1828) used the power of the grotesque in the Disasters of war series, which depicts some of the atrocities that took place in Spain during the War of Independence (1814-18). Identify other artists who have used dots in their work (ie. It is at once a name revealed and something like the refusal of a name. How does Bennetts use of appropriation reflect an interest in some of the moral and ethical issues associated with this practice. The process of translation from one version to the next mimics how history is endlessly translated and transformed by the vagaries oftime and by individual perspectives. . The incorporation of Blue Poles calls to mind an era of great reform in Australian politics. Narratives of exploration, colonisation and settlement failed to recognise the sovereign rights (or sovereignty) of Australias Indigenous people. Choose a selfportrait by Gordon Bennett that interests you. Basquiats signature crown hovers beneath a tag-like image of fire. Bennetts art practice was interdisciplinary and encompasses painting, photography, printmaking, video, performance and installation. From early on in his successful career, curtailed by his death in 2014 at age 58, he was well-known for disrupting the status quo with his unique visual language. The I am from Self portrait (But I always wanted to be one of the good guys) is replaced with We all are. ), Heide Museum of Modern Art , Melbourne, 2004 pp. In Untitled, 1989 Bennett works with a selection of images associated with the familiar story of the discovery and settlement of Australia. But in Bennetts painting disparate diagrams, symbols and images disrupt the illusion, presenting the landscape as a site where many ideas and viewpoints compete. Some supporters applauded his escape but his claim that he left to pass on his knowledge about how to fight the Japanese - given his lack of success . Jackson Pollock is one of the most influential artists of the 20th century. Outsider depicts, a decapitated Aboriginal figure standing over Vincent van Goghs bed, with red paint streaming skywards to join with the vortex of Vincents starry night.